the speakers simple and mild curiosity towards the moth. This not only creates the plot, but also makes the plot easier to understand. When the moth fights the good fight against its death, the tone dictates the hopeful yet intuitive senses in the reader through the speakers eventual dismissal of the moth and the way in which it fights against its death until the bitter end. As the piece progresses, the fragmentation used is more intense and purposely takes away from the pathos appeal. The pathos appeal is maintained for the reader through such devices by strengthening their sympathy and pity towards the mothcare and concern that is not provided to the character from any other source. In the same way, Bernard, a character in?Death of a Salesman?, is placed next to Biff, the protagonist? In conclusion, the character traits of the players in?Death of a Salesman are evident. The latter is the stronger of the two pieces of evidence, as it speaks through the personal connection developed through the narration.
He cares for Biff and wants to see him graduate. It is a tangible representation of Woolfs mental illnesses (she battled bipolar disorder and manic depression).
Due to the tone, the reader feels emotionally connected to the moth so that, during the momentary tone shift in the fourth paragraph, he or she has a hopeful disposition that the moth may yet liveonly to have this notion crushed when it finally does die. The protagonist himself is confronted with Bernard? S shortcomings, mistakes, or areas of strength. In the first paragraph, Woolf describes the scene outside of the room involving ploughing fields, rooks, and horses going about their daily lives as the moth struggles and fights its fate. When used in tangent with one another, the underlying tones are strengthened enough so the reader develops and maintains a feeling of pity for the moth.
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